Hyperscore has starring role at the Toronto Symphony

Saturday evening saw the successful debut of Tod Machover’s “A Toronto Symphony”, described aptly by conductor Peter Oundjian as “the most collaborative piece of music that has ever been written.” Nearly a year in the making, the new work was commissioned by the Toronto Symphony for its New Creations Festival. Scored for a full symphony orchestra, the half-hour-long piece involved thousands of citizens of Toronto who contributed acoustic sample and original compositions. Hundreds of school children composed original music using Hyperscore.

Check out this BBC News video about the project here: Tod Machover: composer’s social media symphony for Toronto.

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Musical offerings from Toronto kids

Several hundred school children in Toronto have been giving their Hyperscore programs a good workout, composing music about their city for composer Tod Machover’s collaborative “A Toronto Symphony” project.  Some of it may end up in the Machover’s new orchestral work, to be premiered in March 2013 by the Toronto Symphony. Take a listen to some of the kids’ compositions here.

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“Amazing accomplishment”

As we reported previously, Hyperscore is being used by hundreds of school children in Toronto this fall to compose music for Tod Machover’s “A Toronto Symphony” project. How has it worked in practice? We found out last Friday when Tod met with around 300 kids gathered with their teachers on the campus of Toronto’s College Français. There to witness the occasion was Musical Toronto‘s John Terauds. He writes:

Hyperscore offers synthesized audio output of its own, but orchestrated by a real composer and played by the excellent young musicians on stage, these miniature compositions from pint-sized composers sounded remarkably sophisticated.

Here is one example, from Broadlands P.S. student Nebyou. What you see on the projection is the Hyperscore screen. The crazy doodle is the composition. The music is being played by members of the Toronto Symphony Youth Orchestra:

Terauds says, “I have to admit that the ease with which the user becomes a creator worries me, because it feels too easy. Part of me considers this to be a form of pseudo creation, that only the careful application of pencil (and eraser) to notation paper is real creation.”

But the results have convinced him otherwise:

These children, many of whom I’m sure haven’t had any lessons music theory, were truly and fully engaged with the act of creating music.

Isn’t that what we all dream of?

The fact that their work will eventually find itself performed on the stage of Roy Thomson Hall seems almost superfluous after this amazing accomplishment.

Read John Teraud’s full post here: Toronto school children become engaged composers in Toronto Symphony experiment

Hyperscore in Toronto Schools

Hundreds of school kids in Toronto will have a chance to get their hands on Hyperscore and contribute to creating a new work for the Toronto Symphony Orchestra. The project is the brainchild of composer Tod Machover, who was commissioned by the orchestra to write a new piece to be premiered at the New Creations Festival in March of 2013. Rather than retreat to the solitude of his studio, Machover decided to open up the composing process to the entire city. A group of adventurous and committed school teachers took up the challenge and have developed a most creative and engaging curriculum around Hyperscore. We can’t wait to see what their students come up with!

Here’s the project’s website: A Toronto Symphony: Concerto for Composer and City

Watch the video: